Be sure to listen to yourself on a separate receiver (with its antenna disconnected and noise blanker turned off) as you make fine adjustments to optimize the settings for your operating situation. Big enough that it could also cut the second filter, even with a Q of 5. Borrowing technology from the recording studios, DC power is applied via the mic line to energize the electret elements used in stock Icom microphones. Set menu 11-09 {SSB TX BPF} to 100 - 3000PRC = ON and set to 40 %MEQ = ONMicrophone gain set to 20 %MH-31 Microphone switch set to pos 1The settings are mad. Dont even try to listen to yourself using a speakerfeedback does not help you optimize your signal. These are important factors to consider. So many times I hear stations with so much low end you cant understand what they are saying because they have not achieved good mid-range speech articulation. Equalization settings:Normal conversation Bass -1 to +1 Treble +3DX and contest use Bass -3 Treble +4These are merely beginning settings. Record a track of your voice.Save the track & select "analyze". Just rename each file configuration when saving (DX, low cut, high cut etc.) 98. Yaesu FT-2000 Equalizer settings These have been tested using the MD-100 microphone. Menu 00 : Adjustment Level -21Menu .3 : Adjustment Level -16Menu .6 : Adjustment Level -14Menu .9 : Adjustment Level -7Menu 1.2 : Adjustment Level -5Menu 1.5 : Adjustment Level -1Menu 1.8 : Adjustment Level +1Menu 2.1 : Adjustment Level +4Menu 2.4 : Adjustment Level +6Menu 2.7 : Adjustment Level +6Menu 3.0 : Adjustment Level +6Menu 3.3 : Adjustment Level +6Menu 3.6 : Adjustment Level +6Menu 3.9 : Adjustment Level +2Menu 4.2 : Adjustment Level +2Menu 4.5 : Adjustment Level 0Menu 4.8 : Adjustment Level 0Menu 5.0 : Adjustment Level0. Yaesu has recently had several reports that the 950 is VERY sensitive to RF. Once you understand how a parametric EQ works it's pretty easy. It rolls off at about 150 Hz on the low side, and it has a few dB of boost at about 2100 Hz, but its response otherwise is very natural, and its large-diameter element provides sparkling highs and beautiful audio that responds very well to the audio adjustment capabilities of todays Icom transceivers. For instance, with my Kenwood TS-2000: it produces a lot of harmonics and sub-harmonics which, when you make a boost around 1kHz, it tends to also make a boost at 500Hz and 2kHz, and those frequencies are very conducive to SSB communications. Set Menu #65 and 66 (TX Carrier Shift) to +200 for DX work; leave at default (0) or +100 for local work. The ferrite choke solved the problem completely, and I never expereienced it again. RF power level = 100 W.Connect an audio signal generator to mic input. NOW - DO NOT FORGET TO SAVE these by holding the menu button for 3 seconds. Wrong microphone, not addressing (speaking into) the microphone correctly, too far away from the microphone, too much room echo and a host of other situations. (2.9 kHz) for casual contacts, Mid transmit bandwidth (2.4 kHz) for DX and CONTEST work, Wide Transmit Bandwidth (2.9 kHz. W2IHY 8 BAND EQ and EQPlus settings for the Yaesu FTDX-2000. PDF SETUP INFO FOR W2IHY 8 BAND EQ, EQ PLUS, and Yaesu FT-2000. WIDE TBW Set to Wide for Fidelity, Mid for everyday operation, or NAR for very aggressive DX pile-up busting (significant roll-off of low frequencies will occur). All of the late model Yaesu starting with the FT 9000 all the way through the FT 1200 use the same Parametric EQ and mic preamp boards. Looking for "Parametric" Equalizer and "P Parametric" Equalizer settings for my Heil Proset 6 headset with the HC-6 element. It is clipping the mic pre amp. You may need to shove a very short piece of wire (an unfolded paper clip, for example) into the antenna jack, depending on the shielding of your transmitters dummy load. You could also buy a Rugged Air RA 200 aircraft headset for not much more than the CM500. At least that is how my radio works.I think the article explains it the other way. The PR 781 dynamic microphone, which sounds simply wonderful on modern iCOMs. I would try 200 - 2800 first. Set the MAIN: MIC SEL menu selection to FP (Front Panel). You do not need 8, 10 15, or a 31 band EQ when we are only dealing with a 3,000 Hz wide signal. Set Menu #59 and #62 (Carrier Shift) to +50, and Menu #60 and #63 (Carrier Shift with Processor On) to +150. Great article. These are our recommendations. 8-pin Round (All Models)Pin 1: MicPin 2: PTTPin 7: Microphone GroundPin 8: PTT Ground, 4-pin Round (TS-120/130/700/520/530/820/830, TR-2200/7200/7400/7500)Pin 1: Microphone InPin 2: PTTPin 3: PTT GroundPin 4: Ground, 8-pin Modular (TS-480, VHF/UHF Mobiles)Pin 3: GroundPin 4: PTTPin 5: Microphone GroundPin 6: Microphone In. This HAS to be shown as it turns the parametric EQ on. No one else can make the adjustments. You can adjust the frequency, the bandwidth and tell those parameters to either notch (-) or boost (+). These settings are credited to a great friend Randy/K0RWB.thanks Randy! Last, Heil's cables contain a small jumper wire from mic shield pin of the connector to the shell of the mic. )Pin 1: Microphone In*Pin 5: PTTPin 6: PTT GroundPin 7: Microphone Ground. . Yaesu FT-891 mic EQ settings - YouTube Please see ouradapter selectorto find the right cable for your rig. Sometimes i`m asked how to adjust the EQ settings of Yaesu rigs. FTdx-3000@groups.io | ftdx 3000 mic and processor setings The suggested level settings will be the same but the actual menu assignment labels are different.EQ1: -6 dB at 200 Hz, Bandwidth of 2 (set to -10 dB if using PR 40 and you get Reports of too much bass).EQ2: -6 dB at 900 Hz, Bandwidth of 2.EQ3: +6 dB at 2400 Hz, Bandwidth of 2. I also agree with W3DBB in regards to some of the modern day audio. If you do not have one of our microphones you need to do the above modification. There are situations where you may want to use one of the Heil ICM microphones or headsets made for iCOM using the Heil iC element. With parametric EQ you can change the parameters of the EQ system. Menu items 25 and 26 set the transmitters bandwidth. Now to get acceptable audio spend an almost equal amount of money. Low end, Mid Range and Highs. Low end, Mid Range, and Highs. Great piece here! After some time i found a nice adjustment for my FTDX101/FTDX5000 and a MD-100 for casual rag chew. Don't give up on this incredible piece of technology. Contact the site with comments or questions. These also works great with the MH-31b8 original hand mic. Just contact your dealer to get the HSTA-706 Adapter Cable, and the Traveler should work perfectly using the factory default settings on the rig. If Using external EQ, turn internal OFF. Well written and thank you for sharing. You must listen to yourself through it monitor system or through a nearby receiver and headphones. All of the new Yaesu series 9000, 5000,2000 and the FT 950 have a balanced audio input on the audio board but they do not use it. Thank you for getting this into an 'Article'. You want to boost that frequency, you adjust it to + 10dB. *Pin 1 also carries voltage for the electret elements used in Icom mics. For headsets, use the AD-1-K for connection to the front panel mic jack. Voices are like snowflakes, no two are alike. ALWAYS remember to hold the MENU button for about 3 seconds to save any of these needed items. Mic Gain: Set to 50% for iC elements, 80% for dynamic elements. HEIL ICM electret Condenser on the YaesuAll Yaesu transceivers are set up to use low gain, passive dynamic microphones into their high gain microphone preamplifiers. Audio Profiles I've been given unsolicited, "great audio" reports as a result of using this audio adjustment method. Adjust the mic gain by watching the ALC meter. The K3 utilizes the Kenwood protocol for connections to its front panel 8-pin mic jack, so use the CC-1-K for 4-pin XLR mics (GM Series, HM-10 Dual, and Handi Mic}, and use the CC-1-XLR-K for connection to 3-pin XLR mics (PR-781, etc.). The first thing to set is the frequency that you need to affect. I'll cover the setting of the MIC OUT under the EQ PLUS setup. I have used a receiver with attenuator bank and audacity for a few years now. DSP Settings | Heil Ham Radio | Amateur Radio The iCOM 718 is a terrific value. Truly a game-changer in the amateur radio transceiver market. The Yaesu FTDX 1200 TX eq and processor setup guide "How's my audio" is commonly heard throughout the HF Bands these days. For digital signals, Audacity works the same way. You are the station engineer. Turn the Clarify/VFO knob to set this bandwidth of 2-28 (200-2800). I'm a new FT991A owner and stepping up from a HT its been fantastic but a bit of a learning curve. Kenwoods exciting new TS-590S transceiver promises to be popular among active operators throughout the world. Remember, you're at 100% duty cycle. Parametric Eq frequency/level/bandwidth settings are; 200/9/5, 1500/5/5, 2700/5/5. Menu 48 DSP Mic EqualizerTo set up the DSP Microphone Equalizer feature: 1 Press and hold in the [DSP] key for one second. You simply select the needed frequency, boost or notch that frequency and set the bandwidth as to how wide you need to affect. A Parametric EQ is just as the term implies. DSP Settings and Mic Connections: Elecraft K3 and KX 3. W3RJW 2/12 They have lots of bass, no mids, no articulate highs so they end up sounding like mush. Do you work lots of DX and contests, or do you like to hang out on 75 meters and have long ragchews with local buddies? Many calls a day come through the Heil Sound facility with RF issues.". FTdx101MP/D EQ Settings ( Bert PA5HR ) - YouTube The FTDX-9000D features unmatched close-in dynamic range, flexible selectivity choices due to its advanced 32-bit DSP filtering, a high-resolution TFT display, and high power:. Microphones like the GM series, Heritage, Classic 4/5 Handi Mic 4/5, and the HM-10 Dual sound great on modern Icom rigs. TS-950SDXMenu 20 (DSP 1 HPF): 100Menu 21 (DSP 1 LPF): 3100, TS-570Menu 13 (Bandwidth): 2.4 kHzMenu 14 (TX EQ High Boost): HMicrophone Gain: 50 (Default Level), TS-870Menu 29 (Bandwidth): 3000 HzMenu 30 (Bandshift): 0 or 100Menu 31 (TX EQ): H or CMenu 32 (RCV EQ): C or OffMicrophone Gain: 50 (Default Level)Menu 22 (Mic AGC): 1 (but try 0 and 2), TS-2000Menu 22 (Bandwidth): 3000 HzMenu 21 (TX EQ): H or CMenu 20 (RCV EQ): C or OffMicrophone Gain: 50 (Default Level). Never see that even close to the red, Equalization: Normal rag chew conversation Bass: -2dB Treble + 4dB, DX or pileup busting audio Bass 5 dB Treble +5 dB, Compression: ON (if you desire) 10 oclock no more. I use an MD 100 desk mike. For more bass roll-off, set this menu item to +150 to +200; to add bass (if using a mic with the HC-4 element, for example), set it to -150 to -200. There is usually some craziness that happens around 400 Hz. Yaesu MH31 Sad. You then will tell the filter to roll that off or notch that 200 Hz. Mic Gain: About 2 oclock to 3 oclock for dynamic elements, 10 oclock for higher output iC condenser elements. "How's my audio" is commonly heard throughout the HF Bands these days. M0WBK 1.27K subscribers Subscribe 53K views 9 years ago EQ settings can be hard to get right. Mic gain at 11 - 12'o clock PROC gain at 9 - 11'o clock (any more than 11'o clock . I swapped out the mic cable with RG-174 and connected the mic cable's braid to the 8-pin connector's shell instead of the mic ground pin. Set the TX BW to 400 -2600Hz for DX/Contest work. (This includes any inappropriate posts on a topic, as I cannot monitor every topic.) IMO if you are using the Yaesu HH mic, use position #2 on the back. View and Download Yaesu FT-950 operating manual online. Also, the FT-950 does not have an audio input on the rear and the FT series are not balanced inputs but rather unbalanced. Mid is 2.4 kHz and Narrow is 2.1 kHz. Yaesu ftdx1200 EQ settings & W2IHY. - YouTube Ham Radio . We highly suggest our dynamic element microphones (HC-7, HC-5.1 , HC-6, Goldline GM series or PR-781 type). Try doing opening it all way up. Listen on your monitor receiver to be sure the audio quality is what you are trying to achieve. Set Menu #29 (Bandwidth) to 3000 Hz; set Menu #30 (Bandshift) to 100 to roll off some Bass response, and set Menu #31 (TX EQ) to H for DX work, or leave it at C for local rag-chewing. Set to 3000. Usual mic gain will be set between 65 to 80. FT-920Menu U-59 (TLSB): +100 for DX, +150 for Contest work, -100 for rag- chewing.Menu U-60 (PROC LSB): +100 for DX, +150 for Contest work, -100 for rag- chewing.Menu U-62 (T USB): +100 for DX, +150 for Contest work, -100 for rag- chewing.Menu U-63 (PROC USB): +100 for DX, +150 for Contest work, -100 for rag- chewing.Menu U-51: Set to OFF initially.1: Mid- and high-frequency emphasis.2: High-frequency emphasis (DX/Contest setting).3: Low- and high-frequency emphasis, dip in middle.4: Wide broadcast setting. We discussed the built in EQ on the FT-950. Selection 2 emphasis high frequencies, while 3 cuts both low and high frequencies, emphasizing mid-range.Menu 25 (MIC GAIN): 85Menu 27 (Compression) 80Menu 64 (T LSB CAR): Set to -100 Hz for rag-chewing, _150 Hz for DX/contest work.Menu 65 (T USB CAR): Set to -100 Hz for rag-chewing, _150 Hz for DX/contest work. Interesting and well written article. Any suggestions on eq would help. You do not need 8, 10 15, or for heavens sake a 31 band EQ when we are only dealing with a 3,000 Hz wide signal ! You set the frequency of the filter. The second adjustment is the Bandwidth which is set in the traditional audio nomenclature of octaves. Pay attention to the ALC.Compression On at, 1 or 2. The all important issue is the third filter where you achieve speech articulation. I use Audacity for making contest recordings. You may find it easier to get additional talk power, without distortion, by leaving the processor off and utilizing the 400-2600 Hz transmit bandwidth, perhaps with a little additional mic gain thrown in. If you dont do that, all of these settings go back to zero. #1. The iC element also works tremendously well with the modern types of Icom rigs, making it an ideal all-around microphone. Set the microphone gain to 70 and with the stock bandwidth of 2.4 kHz your SSB signal will be terrific. Click hereto view pinout information for hundreds of rigs, mics, and connectors. W3RJW's FTDX-5000/FTdx-3000 Audio EQ Settings. Odds are that, once you have WIDE set OK, the other two will be fine. Rag chewers HATE a contest sound and a rag chewer sound doesn't work in a pileup. Notch or Boost. He was ready to give up until he discovered 300-2700Hz and those mid and high range EQ settings. A friend of mine wrestled with his FTdx101D and PR-781 for a week. Basically, there are three ranges (low, Mid, and High) for equalization; you can roll off any one of these, peak any one of these, or peak one and roll off another.For DX and Contest work, use selection 9 (this rolls off lows and peaks highs). I would like to hear from anyone that has duplicated this process. Remember: youre listening in a QRM-free environment, trying to hear all aspects of your signal. PDF Yaesu FT-2000 Equalizer settings These have been tested using the MD To roll off excessive bass in a microphone like the PR 40, use selection 1 (this rolls off lows while leaving mid-range and highs flat). That is usually notched a bit but there are voices that need some energy around 1000Hz attended to and you just have to make that decision by listening and select the midrange parameters. For most, roll off the low end by setting the first filter at 200 Hz. BOOST + 8 dB Menu 098 Notch or Boost Use 2.4 kHz if thats all you have, but 2.8 kHz, 3.1 kHz, or even 6 kHz will be better. We have recently come up with the perfect 'fix' for that. The above settings are for normal operation. Wide transmit bandwidth. Already in the battery box is a load resistor & 1 uF capacitor.The headset can be plugged directly into your PC without the battery box. Surprised ? However, the process became a hobby in itself. Mic gain: 30. eHam.net is a community web site for amateur (ham) radio operators around the world. All AD-1 boom set adapters have the decoupling capacitor installed in the 8 pin Foster connector. You can listen through headphones through the monitor but I have always found it better to listen through headphones through a second receiver while transmitting into a dummy load. (This includes any inappropriate posts on a topic, as I cannot monitor every topic.) I do want to congratulate the author on achieving the results he desired. You want some big boomy low end? If you set this first filter frequency to 200Hz. I use these settings and it sounds very good i l. Set Menu 51 (Equalizer) to 1 or 2 for DX work, 3 (best) or 4 for local rag-chews. See the FTDX10 FUNC > OPERATION SETTINGS > TX AUDIO settings. The cap MUST be a non-polarized type. Audacity is so much better than a tape recorder! Available Values: 1 ~ 10 Default Setting: 1 FT-950 O Page . M 1 Yaesu EQ Settings on Yaesu FTdx 101mp/Ftdx10 - YouTube You may want to listen to your. Alan, KBG Yaesu FTDX-10. My guess is Yaesu will assist with their hand mic but you'll be on your own with the Heil . You will hear the balance that will please you.As always study the operation guide for further information. I run the gain at 12 o clock, and the switch on the back of the mic to the right when looking at the back of the mic. The 200-Watt "D" (Deluxe, fully equipped) as well as the 400-Watt . No apparent reason but it is true. You then set the Bandwidth of that filter and finally, you tell the filter if is notches (cuts, reduces) or boosts that filter frequency. You could also buy a Rugged Air RA 200 aircraft headset for not much more than the CM500. Simply install a 1 F non-polarized tantalum capacitor in series with mic lead. There is no "perfect" setting, it's all subjective. Yaesu FT-9000 TTBF Settings for eSSB: (4kHz BW) 1) Turn off the 9000 via front panel switch. If you have more than three frequencies which need attention you have more problems than an equalizer is going to fix! I used my Yaesu FT950 with the MD-1 mic which I had set on position 2. Transmit bandwidth is set at 100 to 2900 Hz so it doesn't cutoff the Eq frequencies. Do you want some big boomy low end? All ICOM transceivers utilize phantom power on their microphone inputs. The site will be something of which everyone involved can be proud to say they were a part. Compare your radio audio plot to the Audacity spectrum plot. FTDX-101D@groups.io | Mike Adjustment
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