. This is big for shooters who need to use muscle memory and shoot by feel instead of flipping through menus. Sony PXW-FS5 4K Super 35 Camera Body - E Mount | AbelCine Sony PXW-FS5 $6,899.00 at Amazon $4,248.00 at B&H Video Tech Specs: Sensor: Super 35mm Single-Chip 11.6MP Exmor CMOS Effective Picture Size: (H x V) 3840 x 2160 LCD Monitor: 3.5 / 8.8 cm Viewfinder: 0.39 / 0.99 cm OLED ND Filter: Variable: 1/4 to 1/128 Presets: Clear, 1/4, 1/26, 1/64 Sensitivity ISO Rating: 3200 (S-Log3 Gamma) It captures 10-bit video internally and offers 5.7K RAW out its SDI. Sony PXW-FS5M2 4K XDCAM Handheld Camcorder with 18-105mm f/4 G OSS Lens Privacy Policy. In fact, we would love to see something that is small and can be mounted without bogging down the camera. The Sony FS5 is a lightweight camera with loads of options. In theory, the rolling shutter performance should be better than that of the FX9 and on par with the a7S III. In addition to the seven standard picture profiles, the FS5 II has two flavors of log: S-log2 and S-log3. The URSA Mini is also cheaper and does shoot 4K 4.6k in fact but has the drawback of weighing about 5lbs and lacks the ease of use of the FS5. Sony almost always seems to get its camera timings just right (at least when it comes to digital cinema cameras). Sony did a lot of things right with the FS5 that, in our opinion, they got wrong with the FS7. Switches and knobs are not valued highly enough when evaluating many small form factor detachable-lens cameras. 12.9 megapixels (total), 10.2 megapixels (effective) back-illuminated CMOS Exmor R 4K sensor. The Sony FS5 II adds in mechanical 2, 4 and 6 stop ND for even quicker operation. We tend to expect a lot with camera releases, and sometimes that involves having unrealistic expectations. For more information, please see our ND Filters can also be set to auto. If only one had audio you just get 1 . Sony PMW-F5 CineAlta Digital Cinema Camera - B&H Photo This is the exact same LCD that comes with the FX9. There are also XAVC Long GOP recording options as well if you want to minimize card space. By doubling the ISO, we are able to see the performance at every stop. You need to be aware that the FX6 does not come with an external microphone. With the FX6 you can output the exact same 16-bit linear RAW signal from the camera and then record it in the exact same 12-bit ProRes RAW file without needing to pony up $2,500 USD to do it. Set the Output Volume at Mic or Line, just make sure it is the same on the Tentacle and the Audio input. However, because it doesnt allow for internal 10-bit 4K video, youll need to purchase a monitor/recorder to get the most out of it. Demand for HDR content is increasing and FS5 offers you a choice of two powerful workflows. 4.00 (72 pages), Sony solid-state memory camcorder operating guide (112 pages), Manual will be automatically added to "My Manuals", Step 2: Using a Battery Pack or AC Adaptor, Step 4: Attaching the Handle, Accessory Shoe, Microphone, LCD Screen, and Grip, Step 5: Turning on the Camcorder and Setting the Date and Time, Step 6: Adjusting the LCD Screen and Viewfinder, Continuous Recording on the Memory Cards (Relay Rec), Recording Movies Using both Memory Card a and B (Simul Rec), Changing the Setting of the START/STOP Button and Handle Record Button, Using Automatic Focus/Fixed Focus Temporarily (Push Auto Focus/Focus Hold), Focusing on a Detected Face (Face Detection), Changing the Recording Setting/Image Size, Selecting the File Format and Recording Format, To Adjust the Amount of Light (ND Filter), Slow & Quick Motion/Super Slow Motion Recording, Recording Sound from the Internal Microphone, Recording Sound from an External Audio Device, Recording with a Multi-Interface Shoe-Compatible Microphone (Sold Separately), Assigning Functions to the ASSIGN Buttons/Dial, What You Can Do with the Wi-Fi Function of the Camcorder, Connecting the Camcorder to an Android Smartphone Equipped with the NFC Function Using One-Touch Connection, Using a Smartphone as a Camcorder Remote Control, Connecting Without Using the NFC Function (Android), Connecting Without Using the NFC Function (Iphone/Ipad), Selecting Suitable Settings Automatically (Full Auto Mode Setting), Customizing the Picture Quality (Picture Profile), Preventing Accidental Operation (HOLD Switch), Reviewing the most Recently Recorded Scene (Last Scene Review), Changing/Checking the Settings in Your Camcorder, Checking the Camcorder Settings (Status Check), Preventing Data on a Memory Card from Being Recovered, Settings to Adjust Your Camcorder to the Recording Conditions, Recording Settings, Input and Output Settings (REC SET/VIDEO OUT), Settings for Audio Recording (AVCHD AUDIO FORMAT/XLR SET, Etc. Whichever option you choose, a phenomenal fourteen stops of exposure latitude ensures the highest fidelity in capturing highlights and details within shadows. In my opinion, there is no such thing as future proof. Alas, that might be Sonys next camera, but for today well just have to stay in want. Its easy to love this camera. The FS5 II is the camera to go to when you want an easier way to capture video. If you are using a camera with a servo-controlled zoom, there is a rocker for your fingertips. It also rotates and moves very easily. On paper, it is hard to find fault with the FX6. It features 14 stops of dynamic range, applicable to both raw and XAVC recording as long as S-Log is turned on, for truly filmlike rendering of highlights . The camera will be available in two versions: -Sony FX6 with the Sony FE 24-105mm f/4 G OSS Lens: $7,199.99 USD. See how it performs with stunning low-light shots and slow-motion footage, "You're dealing with 2,000-degree glass a few inches from your hands, so you do have to be careful", Go behind the scenes with Den Lennie and Mick Jones on Sony's first official PXW-FS5 shoot. The internal structure of the FX6 is made out of magnesium alloy and the camera also features dust and moisture sealing. I am assuming that just like with the a7S III, that you will be able to record to both card slots simultaneously if you want to. The picture quality is superb and the form factor is easy to use. A high resolution 0.39-inch OLED viewfinder enables precise manual focus and is perfectly offset for right-eye or left-eye viewing. The ND is linearly adjustable, making getting the right exposure not only possible but easy. Read our article. With the Shogun Inferno and an FS5 II, you can capture up to 10-bit ProRes RAW. Sony is claiming 15+ stops of dynamic range from the FX6, but I would take that figure with a grain of salt. The XLR inputs are located on the handle, so if you remove the handle you will lose those inputs. We were discouraged at the minimum native ISO of 1,000 and even more unwelcome is the minimum ISO of 3,200 in S-Log3. Videomaker is always looking for talented, qualified writers. There really isnt much in between. No audio on Sony PXW FS5 Mark ii using a Sennheiser ewG4 lavalier/lapel mic. They may want them, but do they really need them? It features a regular E-mount. Some wont take advantage of the ProRes RAW option because the format can currently only be edited in Final Cut Pro X. There are actually three different standards of CFexpress cards. Sony is very much pushing the FX6 as being a lightweight, compact mobile production camera that can be used by solo operators. Everything about this camera is quick, meaning its ready for just about any shooting situation its thrown in to. Unlike the FX9 which uses two XQD media slots that support simultaneous or relay recording, the FX6 utilizes new CFexpress type A cards. With the end trigger recording, you can tell the camera when to end the shot and it will record the few seconds before that. If you do prefer or value the addition of all of those fore-mentioned features I listed, then the FX6 does make a lot more sense if you are just doing video. With the PXW-FS5, the speed of the menu operation is a non-issue. Should you purchase the Canon EOS R8 for video? The expanded flexibility of having onboard XLR inputs, a grip that makes handheld shooting easier and linearly adjustable ND will make catching the right moment easier, allowing for better results. Back-illuminated sensors offer increased sensitivity and less noise. Also available is FS5 II which has continuous 120fps HFR recording in Full HD and FS RAW output as standard plus an enhanced creative look. It also offers Optical Image Stabilization. We most definitely recommend it if youre in the market and it fits your needs. Each profile can be individually adjusted to suit your specific requirements and switched between in seconds. . The FS5 II is the obvious next step when moving out from behind the photo first camera that can shoot video to a camera designed specifically for video capture. The AF works in all resolutions and all frame rates, including UHD at 120p and HD up to 240p. Despite offering a lot of similarities, the FX9 does offer quite a lot of functionality and features that you wont find on a FX6. Careful weight distribution and an ergonomic smart grip enable you to comfortably shoot from any angle. We dont think this is a huge issue because most viewers these days are inundated with video from multiple cameras on a daily basis. It can capture CinemaDNG and ProRes 444 internally. As far as form factor and price are concerned, the closest cameras are arguably the Canon C70, RED KOMODO, and Z CAM E2-F6 Full-Frame 6K Cinema Camera. The built-in microphone. The ND makes keeping the shallow depth of field in high lighting situations a cinch. Sony was quick to point out that even though this High Sensitivity mode works in a similar way to a dual native ISO, they are not calling it a dual native ISO. That is reserved for the VENICE. Sony offers an impressive mirrorless camera lineup, but these cameras have a 30-minute record time limit for video clips, offer only a 1/8 inch audio input and dont include ND filters. Approx. *S&Q 1-60fps and 100/120fps available in these modes. The grip and the monitor make the camera easy to operate if you have to shoot at low or high angles. Sensitivity ISO Rating: 3200 (S-Log3 Gamma) MPEG HD422 and MPEG HD420 for broadcast applications. How to build a Sony FS5 rig for ENG on a budget part 1 The enhanced Fast Hybrid AF system has customizable AF transition speeds and sensitivity settings, and also combines phase-detection AF for fast, accurate subject tracking with contrast AF for exceptional focus accuracy. It is also possible to record 120fps with up to 16-second cache recording. However, those added inclusions and functionality will cost you $2500 USD more than if you buy an a7S III. In fact, the FX6 (body only) weighs just 276g more than the a7S III (body only). Go for either a Tentacle Sync E or the Ultrasync ONE. Key Features 1920 x 1080 Touchscreen Display HDMI 2.0 Input/Output, AtomOS 10 Record up to 8K30 ProRes RAW 1000 cd/m Brightness Show More If you're shooting with an 8K camera, then why not record in 8K raw format using the Ninja V+ 5.2" 8K HDMI H.265 Raw Recording Monitor from Atomos. In that case, regular ProRes or. This price makes it around $5000 USD less than the FX9 and around $2500 USD more than an a7S III. Below you can see: At $5999.99 USD it is basically the same amount as a RED KOMODO and around $500 USD more than a Canon C70. Key Features Ninja V+ 5.2" 8K HDMI Recording Monitor Accessory Kit with Batteries & Charger Screen Protector, Sun Hood, Travel Case Master Caddy II, SATA III Cable Add a full monitoring and recording kit to your camera rig with this Atomos Ninja V+ Deluxe Starter Kit put together by B&H. Consider becoming aPatreon supporterand help us to continue being the best source of news and reviews for professional tools for the independent filmmaker. Despite its amazingly light 1.77-lb body, the FS5 is more than tough enough for the rigors of real-world shooting. 4K is still perfectly acceptable and will still be for quite some time. Use the condenser microphone included in the camera kit (side pocket of the bag). Just like on the FX9 you can load up user LUTS as well as scene files. Read our article How to Use Log Video to Gain More Control Over Your Image to learn more about shooting with a log curve. Sony offers a few better lenses for run-and-gun shooting and many other options for more controlled shooting situations. Unlike conventional optical ND Filters, the electronic ND Filter on the FS5 can be controlled from 1/4 ND to 1/128 ND linearly. Use the condenser microphone included in the camera kit (side pocket of the bag). Continuous 120fps high frame rate recording in Full HD. As I have mentioned in recent articles, the camera market has started to divide into two key sectors; the under $10K category and the high end. Want to change the white balance? That stronger E-mount is also handy for using heavier-long cine-zooms without having to add additional lens support. Sony PXW-FS5 II $4,748.00 at B&H Video View Price at Amazon TECH SPECS: Image Sensor Size: Super35 Sensor Type: CMOS Sensor Resolution: 4096 x 2160 Effective Sensor Resolution: 3840 x 2160 Gain: 0 to 30 dB (Native) Lens Mount: Sony E-Mount Page 27: Audio Inputs Audio Inputs The camera has a built-in stereo microphone on the handle. It was just far more usable on the FS5. SONY FS5 QUICK START MANUAL Pdf Download | ManualsLib Sony has priced the FS5 II very well. On the other hand, part of the benefit from the newer S-log3 is its capability to work with more than 14 stops of dynamic range, so its advantages are wasted on cameras with a smaller dynamic range. With little investment needed for accessories, flash memory and batteries, its good to go straight from the store. In no real surprise, that the FX6 doesnt have the same locking E-mount from the FS7 M2 and FX9. Shoot, edit and view content in Hybrid Log-Gamma (HLG) to deliver content quickly without compromising on imaging expression and quality of content, S-Log2/3 is the proven choice for premium applications where you wish to capture as much data as possible for the ultimate flexibility in grading, CBKZ-FS5HFR* enables continuous 120fps in Full HD, CBKZ-FS5RIF** enables continuous 240fps in 2K RAW and maximum four seconds of 120fps in 4K (with a suitable recorder). It seems with this release that Sony intended to make a camera that feels more like the C-100 Mark II. This mount is fully compatible with E-Mount lenses and supports all electronic connections. Of course not. The PXW-FS5 doesnt have a short battery life like many mirrorless cameras and doesnt have any overheating issues, so continuous recording can last till the battery dies or your media fills up. Amazing shots are captured using a drone, gimbal, car-mount and more that really demonstrate the flexibility of this super-lightweight, modular 4K camcorder, An on-location interview with Producer Den Lennie and DoP Mick Jones reveals what impressed them most about what they call the little brother to the FS7, Den Lennie and Mick Jones use Sonys extraordinary PXW-FS5 to shoot stunning visuals from New South Wales, Australia, From sunny beach scenes in Sydney, Australia to night-time Tokyo, test footage with a variety of different lenses and exposures reveals the quality of Sonys FS5. First up is the Canon C200, the closest in weight to the FS5 II, though its just less than twice the weight. The Type A card is the slowest of the three standards. One last big improvement over using DLSRs or mirrorless cameras is that all of your controls are at your fingertips and not in-menu. All you need are SD cards. The viewfinder is OLED and, in times where the LCD fell short, it was nice to have another option. Despite offering similar sensors and a lot of similarities when it comes to frame rates and recording options, the FX6 is a video camera and not a hybrid mirrorless. There are two assignable buttons: 4 and 5. FS RAW in 4K or 2K with an external recorder for future-proof content. Is historical content not being shown anymore because it was captured in black and white, or 4:3 or SD? Yes, you could very well argue that capturing at a higher resolution allows for more flexibility with reframing in post or downsampling to get a better 4K image, and those are good arguments, however, if you are capturing in 4K and still delivering in HD (which a lot of people are) you dont need resolutions above 4K. The FX6 falls clearly into that under $10K category. If they had have put the FX9 sensor in the FX6 then they would have had to cripple the camera by reducing frame rates, codec options, etc. Button 4 is labeled focus mag for gaining sharp focus, but both buttons can be assigned to whatever youd like. Above you can see the difference between a standard sensor (on the left), and a back-illuminated sensor on the right. Why? Given the FX6 has Cinetone, in theory, it should match up pretty well with the FX9. Alister Chapman explains why RAW is a big deal for Sony's PXW-FS5. The FX6 utilizes the same BIONX XR image processor that is found in the a7S III. The a7S III has an enhanced 5.5-stop effective 5-axis SteadyShot image stabilization system, which compensates for five different types of camera shake. Quite apart from the camera's somewhat over-rated 4K capability, Sony's diminutive FS5 boasts 10bit internal HD recording, built-in ND filters, a 14 stop Dynamic Range in S-Log mode, Phantom powered XLR audio inputs and a smooth, proportional servo zoom rocker; the latter being a perfect match for my new 18-110mm zoom and an essential element . New comments cannot be posted and votes cannot be cast. Look, not everyone will agree, and some users will prefer the form factor of a mirrorless hybrid for shooting video, and there is nothing wrong with that. It drastically changes the center of gravity, so handheld shooting is much different with the monitor. Login or Sign Up, Activity Forums Sony Cameras No audio on Sony PXW FS5 Mark ii using a Sennheiser ewG4 lavalier/lapel mic, My Sony FS5 Mark ii is not recording audio when I use my external Sennheiser ew G4 microphone which is connected to the XLR Input 2. The Sony PMW-F5 CineAlta Digital Cinema Camera features an 8.9 MP Super35 image sensor capable of capturing 2K and HD internally in Sony's XAVC codec onto SxS PRO+ memory cards, and 4K and 2K raw to an optional Sony AXS-R5 external recorder. The PXW-FS5 is a more compact and far lighter camera than the PXW-FS7, coming in at only 1.76lbs. HFR 3. If you switch to the 1.5x S35 shooting mode you are limited to recording in HD. Even when changing resolutions and formats, the restart of the camera was quick. Even though the FX6 only has two physical audio control dials on the body, it is still capable of recording up to four channels of audio. Back at Videomaker world headquarters, we tested the FS5s low light capabilities. Walking around with the camera, we shot buildings, the water, onlookers and cars in traffic. When the FS5 originally came out 5 years ago it didnt really have any competition. A big problem with the FS7 was the menu operation. A) I wouldn't recommend that TC box. There is also a ND auto button just like on the FX9. A smaller, lighter camera with similar features (to the FS7) that really interests me., If youre coming from DSLR cameras, this is a great step up for corporate films, wedding productions, music videos, or as a powerful B-camera for bigger productions., See Jason Wingrove put our new PXW-FS5 handheld Super 35 4K camera through its paces at Narrabeen Rock Pool near Sydney.
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